From The Medieval Garden Enclosed, the blog of the Cloisters Museum and Garden in New York, a wonderful portrait of a storied tree:
The ancient Greek story of the transformation of a river nymph into a laurel tree was immortalized in the Roman poet Ovid’s Metamorphoses (Book 1, 452–53), a work that enjoyed great popularity in the Middle Ages. The story of Apollo’s pursuit of the unwilling Daphne has captivated poets as well as artists over many centuries, inspiring such famous interpretations as Antonio Pollaiuolo’s painting in the National Gallery and Gian Lorenzo Bernini’s sculpture in the Villa Borghese.
Re-envisioning a “poem forest”
Continuing with today’s theme of almost-fresh tree news from New York City, a friend sent me this link to a blog post from something called the BMW Guggenheim Lab about a poem trail through an old-growth forest in the New York Botanical Garden. I thought at first this might be hyperbole, but the Wikipedia bears it out: “Sightseers can easily spend a day admiring the serene cascade waterfall, wetlands and a 50-acre (20 ha) tract of original, old-growth New York forest, never logged, containing oaks, American beeches, cherry, birch, tulip and white ash trees — some more than two centuries old.”
Anyway, it seems that they recently finished refurbishing the trails through this tract, and asked artist Jon Cotner, the author of the piece, to “do something poetry-related on site” in conjuction with the Poetry Society of America. He wanted something that would actively engage visitors and lead them to pay closer attention to the forest around them.
So I “installed” 15 lines pulled from 2,500 years of poetry along a trail through the old-growth forest. Visitors spoke each line (printed on a handout) at specific locations (marked by small orange signs) to which the lines corresponded conceptually or physically. For example, near the start of the self-guided walk, people would recite Pythagoras’s maxim “The wind is blowing; adore the wind” to clear their heads. Or just as the Bronx River came into view, people would recite Gary Snyder’s verse “Under the trees/ under the clouds/ by the river” to grow closer to the landscape. At the final spot, above a waterfall, people said Ch’u Ch’uang’s “Waterfalls, with a sound/ Like rain” to sharpen the auditory sensation.
Walking Poem Forest took about 20 minutes. Several participants had long histories with the Garden. They felt surprised by how intimately they encountered a landscape that had seemed “familiar” or “known.” A bench near the waterfall became an informal classroom, where we discussed their experience. The overwhelming message was that the poetic lines encouraged everyone to slow down, to see and sense more clearly, to inhabit the present more deeply, and to fill with enchantment.
The post includes photos of each spot, evidently taken in November, paired with the corresponding quote. There’s also an audio compliation of visitors reading the lines. Pretty cool!
A look back at New York City trees in holiday attire
Gillian from treeaware blog visited New York City over the holidays, and has a stunning series of photos of trees decked out in lights, “turning the streets into fairyland.” She also takes a look around Central Park, and throws in a couple of photos from February 2011 when it was considerably more wintry to show the contrast. Go look.
Art at the Hangman’s Elm
Did you know that Manhattan’s Washington Square Park had its own blog? Me neither. But the Washington Square Park Blog appears to be a fine exemplar of “hyper-local citizen journalism,” at least by evidenced by a recent post about artist Kristin Jones’ plan for a tree-focused “artistic intervention” on Arbor Day 2013. One tree in each borough of NYC would be designated as the focus of a 24-hour multimedia extravanganza.
The tree she has her eye on for Manhattan is at Washington Square – the famous “Hangman’s Elm” (there seems to be dispute over whether it was actually used for hangings) in the NorthWest corner of the park. I did not realize that tree is 330 years old! Incredible.
Jones and her partner were responsible for “Metronome” – the unique clock (or “artwork/digital timepiece, intended as a modernist meditation on the dissolution of time”) that looms above Union Square on 14th Street.
Of the “Hangman’s Elm,” she says: “All these years this beautiful tree was right under my nose. It makes me angry that I never appreciated it until now.”